Chinese aesthetics is a study of settling down, seeking its own destination and spiritual extension in the experience of beauty. The side soil belongs to the work of the porcelain series, porcelain is a symbol of China, this series will be the ideal was to microscopic form into the porcelain, the development of Chinese traditional "bonsai" painting schema, to express a kind of independent from the reality of reengineering space brought about by the feeling of sense of reality and illusion, present a mountain, a world of meaning of life. The high-speed railway in the painting is a symbol of Chinese speed and Chinese spirit, conveying the harmony between man and nature, and the beauty of sharing. The fragility of porcelain reminds us to reflect on the natural environment. At the same time, if it will be a porcelain is a symbol of a person's world, the concept of the hills in the picture is a symbol of the known human perception of the world, also only is based on human vision to "own" as the guide, however, time, space, is eternal, unknown space, we have a lot of unknown to explore...