Crossing Time Zone · 2022 C-C-A Emerging Artists Communication Exhibition - Artist promotion | 完么才让、Sitong Lu

发布日期：2023-03-22 23:37
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China-Canada-Australia Emerging Artists Communication Exhibition
Crossing Time zone · Emerging Artists 

Artist Promotion - Phase XLII(1)

完么才让



Thousand-hand Kwanyin

100cm x 75cm

" Thousand-hand Kwanyin, also known as thousand-hand thousand-eye Kwanyin and thousand-eye thousand-arm Kwanyin, is one of the four Bodhisattvas of Chinese folk belief. Thousand-hand Kwanyin is the left flank of Amitabha Buddha. Together with Amitabha Buddha and Mahāsthāmaprāpta (Amitabha Buddha's right flank), they are called the three Western Sages.
Thousand-hand Kwanyin is a symbol of great compassion, she can silently bless you through all kinds of difficulties, eliminate all kinds of diseases, when you are lucky, can make you more brilliant, when luck is low, can eliminate all kinds of obstacles, solve all kinds of disasters, make you successfully through the pass, to achieve a life of happiness, peace and good luck.
Thousand-hand Kwanyin is the honor of Kwanyin. "Thousand" means infinite and perfect， "Thousand-hands"means infinite mercy,and"Thousand eyes" means perfect wisdom. According to the Dharani Sutra, Kwanyin with thousands of hands and eyes can benefit all sentient beings. According to the mechanism of sentient beings, Kwanyin can correspond to five parts and five Dhammas and satisfy all desires. "




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Artworks
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The eighteen Arhats

300cm x 100cm

The eighteen Arhats refer to the eighteen Arhats who live in the world forever and protect the Dharma in Buddhist legend. They come from the sixteen Arhats and the two elders. They were all historical figures, disciples of Sakyamuni. Sixteen Arhats were mainly popular in the Tang Dynasty, and eighteen Arhats began to appear at the end of the Tang Dynasty. By the Song Dynasty, eighteen Arhats were prevalent. The emergence of the Eighteen Arhats may be related to the traditional preference for eighteen in Chinese culture.


 

Puxian Bodhisattva

90cm x 65cm

Puxian Bodhisattva, the Buddhist Bodhisattva name, Sanskrit Samantabhadra free translation, also translated as Panji Bodhisattva, transliterated as Sanmandobhadra. Puxian Bodhisattva is one of the four Bodhisattvas of Chinese Buddhism, symbolizing virtue and virtue. Corresponding to Manjusri Bodhisattva, symbolizing wisdom and virtue, he is the left and right wing of Sakyamuni Buddha. In addition, Virujana, Manjusri and Puryin Bodhisattvas are honored as the "three sages of Huayan".


 

Yamantaka

100cm x 75cm

Yamantaka, Yamantaka is one of the Buddhas in the Gelug Tantric School. Because of its ability to subdue demons, it is called Dawei, and because of its ability to protect the good, it is also called Da De. The Sanskrit name "Yammudka" (Sanskrit: Yamanantaka) is "Dorji Kusai" in Tibetan and "King Great Weidming" in Japanese Tomi. Also known as Yan Mandja, Fear Vajra, King Niutaouming.


 

Five is the God of Wealth

100cm x 75cm

It is based on Bodhisattva and attaches equal importance to daily life practice, rather than the ability to become rich by chanting mantras. By developing Bodhisattva, offering the three treasures on the top and giving to all living beings on the bottom, one can feel the extraordinary victory and sorrow of the God of Wealth in the Secret Dharma, which is beyond the understanding of ordinary self-seekers. White God of Wealth: get rid of sickness, get rid of all poverty and hindrance of sin, increase all good works, and increase abundance. Red God of wealth: high power, such as the court, city, county, big company director repair easy corresponding, can gather people, wealth, food and other benefits of autonomy and rich. The Yellow God of Wealth: Can hate to increase happiness, longevity, wisdom, material and spiritual benefits. Black God of wealth: eliminate disorder, theft, disease and other obstacles, can make the benefit of growth. Green God of Wealth: Make everything successful, complete, purify evil obstacles, achieve all desire for rich growth.




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Introduction
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Huanmecairang

Huanmecairang
Senior folk technologist of Qinghai Province
Member of Qinghai Folk Literature and Art Association
Member of Qinghai Young Entrepreneurs Association
Member of Regong Culture Association of Qinghai Province
Member of Qinghai Thangka Art Association
Born in a Thangka family, she loved painting since childhood and graduated from Thangka major of Qinghai University for Nationalities. Good at traditional thangka and innovative Thangka long roll.




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Exhibition Experience
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Ⅰ ·From 2013 to 2015, organized a thangka drawing team in Sichuan to draw large-scale historical thangkas in cooperation with artists from Sichuan Fine Arts Institute
Ⅱ ·2014-2015 Participated in drawing the National Art Foundation's 2015 Young Artistic Creative Talent Funding project "The Sixteen Venerable"
Ⅲ · From 2017 to 2018, I organized a team and cooperated with the Gongbi painting teachers of Gansu Fine Arts Association and other teams to draw 500 meters of the long volume of Silk Road Painting Art Panorama combining thangka and Gongbi painting (now I have completed 10 meters of maritime Silk Road and 10 meters of onshore Silk Road and continue to create.
Ⅳ ·2017-2018: Participated in drawing the 2018 Annual Youth Artistic Creation Support Plan project "Auspicious Painting" of China Federation of Arts and Culture
Ⅴ ·From 2018 to 2019, I organized the Thangka Drawing team and the Gongbi Painting teacher team of Tianjin Academy of Fine Arts to draw 40 meters of Nine-color Gannan Painting Art View
Ⅵ ·In 2018, I responded to the call of the government to participate in Regong art promotion fairs in many places in the mainland, including Shanghai, Jiangsu, Yunnan, Beijing, Shandong, Sichuan and Gansu
Ⅶ ·2019 -- 2020 organized Thangka painters and Mongolian and Tibetan teachers to draw the first Mongolian version of the Four Medical Scriptures
Ⅷ ·In 2019, I participated in the production of Thangka and the shooting of CCTV's "Charming Chinatown" program to promote Regong culture and art
Ⅸ ·From 2020 to 2021, the large-scale Thangka mural restoration project "Mural Paintings in Qutan Temple" was organized by Thangka painters and Qutan Painting Academy
Ⅹ· From 2020 to 2022, under the guidance of arts and crafts master Niangben and other teachers, the project of Jiumei Tibetan Medicine Group Co., Ltd. was innovatively drawn, "New Four Medical Books".




China-Canada-Australia Emerging Artists Communication Exhibition
Crossing Time zone · Emerging Artists 

Artist Promotion - Phase XLII(2)

Sitong Lu



The lung pain

Installation \ 13cm x 13cm x 13cm \ 2020




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Introduction
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Sitong Lu


I am Sitong Lu and from Shanxi, China. I am currently a student in Visual arts and design at the University of Sydney, Australia. I had experience in a variety of artistic mediums during my time at university, including painting, screen art, ceramics, and installation art. I am keen to create mixed-material installations to showcase my works among them. Because I think installation art has a robust expressive quality and makes excellent use of 3-dimensional visual effects to portray its principles and concepts, I have been exploring the track of hybrid installation art. In addition, I am majoring in art-related fields, but I also have a strong interest in feminism, and I have achieved excellent results in HD at university. Therefore, most of my works revolve around the concept of the female body, and I hope that I can explore the perception of gender in contemporary society through work while conveying the female power contained in it to the viewers as well.




- The copyright of the above artworks belongs to the artist. 
  It has been authorized to use them in this promotion and exhibition.



————  END  ————
Junction · 2022
Selected artists continue to promote......


Initiator & Director
Suvy Sun

Curators
Melanie Wilmink
Caspar Fairhall

Curators Assistant
Maggie Bai
Haru Liu
Nyusa Zhou
Joanne Yeung
Uchida Ma
Yien Wang
Sarah Yang
Lcey Yin
Chloe Zhang
Wendy Peng 

Consultant
Joel Ong

Organizer
Sino-Canada Alliance of Arts and Culture
Luxun Academy of Fine Arts gallery
Sensorium: Centre for Digital Arts and Technology
York University Centre for Asian Research
the School of Visual Communication Design of LAFA
Funding by the Canada-China Initiative Fund Committee at the York Centre for Asian Research
Funding by the “Double First-Class” Project of Luxun Academy of Fine Arts 



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About the exhibition

Art is a language that doesn’t need translation. For a long time, art has played an important role in the communication between China and other countries. In the context of economic globalization, cultures from all over the world collide and fuse with each other, forming a multi-cultural network. Chinese culture and various cultures of other countries meet here, forming a strong and diverse artistic atmosphere As globalization makes the cultural and artistic exchanges between countries more frequent and more closely connected, the optimization of the international artistic ecological environment also provides new opportunities for the evolution of art. Art is enriched by exchanges and mutual learning; the development of art requires international exchanges and cooperation, the active participation of artists from all countries, the sharing of ideas, the collision of hearts and the blending of emotions.This initiative is hosted by the Sino-Canada Alliance of Arts and Culture,York University Centre for Asian Research, Sensorium: Centre for Digital Arts and Technology, the Luxun Academy of Fine Arts gallery, and the School of Visual Communication Design of LAFA, with funds from the Canada-China Initiative Grant from York Centre for Asian Research, and Double first-class project approved by Lu Xun Academy of Fine Arts. The exhibition showcases outstanding works of art by young artists from all over the world, strengthens exchanges between artists from all over the world, and promotes the "beauty of each other and the beauty of the other" in Chinese and foreign cultures. By supporting art exchange activities between international artists , promoting the understanding of the different national cultures, and breaking through group and language barriers, we aim to achieve more commonality between people, creating communication, understanding,and fusion,thereby further optimizing the ecological environment,new opportunities for the artistic.This exhibition shows the vitality of the interdependence and common development of Chinese culture and the world civilization, promotes the pace of Chinese art to the world, and has a positive impact on promoting the inheritance and development of Chinese culture and strengthening the international exchange of Chinese culture. After the exhibition committee’s review, a total of 47 artists from 43 regions in the world have been selected into the "Crossing Time Zones·2022 China-Canada-Australia Emerging Artists Communication Exhibition". We will introduce the participating artists issue by issue, welcome your attention and subscription.




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